6/23/2011

SCI-ARC Graduate Thesis Final Review

Final Jury:
Patrik Schumacher(Partner at Zaha Hadid Architects, Co-director AADRL)

Michael Speaks(Dean, College of Design at the University of Kentucky)

Hernan Diaz Alonso(Xefirotarch, Graduate Programs Chair, SCI-ARC)

Tom Wiscombe(Emergent, Applied Studies Coordinator, SCI-ARC)

Marcelo Spina(Patterns)

Elena Manferdini(Atelier Manferdini)

Florencia Pita(fpmod)

John Enright(Griffin Enright Architects,Undergraduate Program Chair, SCI-ARC)

Tom Kovac(Kovac Architecture)

Todd Gannon






Especially,thanks to Jeffrey Kipnis, he influenced me a lot on this thesis project.

"There is nothing wrong with painting, painting is good!"
Jeffrey Kipnis

6/21/2011

3GBX_TESTA_XLAB_Resident Chroma

Today materials are scientifically engineered to serve demanding purposes in a profit and performance oriented world. The expertise of manufacturers grows rapidly to maximize efficiency and push material limits.

The consequence is an illusion of humans mastering nature.

The gap between human perception and physical behavior is an enormous issue today. We rely on artificial intelligence executing codes with high precision in a physical environment. Materials with specific properties become problem solvers rather than intelligent variables in fabrication.

Our project suggests a new interface to bridge the gap between technique and technology, design and application, most importantly virtual and real. A global color control model builds up the three dimensional data base. This is able to merge multiple parameters breaking out of the singularity of conventional information mappings.

Color as input/output display becomes an analysis tool which redefines RGB as a calculator opening up color being a generator. Simple procedures are merged by color mapping to create new conditions without losing information. In short, blue and red generate purple. We are building up a toolkit of materials with a great variety of attributes, such as the shaping capacities of plastics, the tension resistance of fabrics, flex-abilities of fibers, and structural properties of concrete – giving the user control by a constant sensor feedback loop by infrared cameras, laser measuring, conductive yarn and pressure sensors. As a consequence we are breaking out of applications being limited to materials and architectural functions being reduced to object.

Material intelligence is redefined as a design tool in a playful environment – displayed and combined in the color control model “Resident Chroma”.

当今材料被科学的运用在一个以有益且高效率为目的的世界里为了提供各种需求。制造商的专业技术成长飞速为了能够最大化效率和扩展材料的有限性。

最终的结果是人能够控制自然的假象。

人的感知以及物体特性之间的缺口正是当今最大的问题。我们依赖人工智能执行代码在一个高精确控制下的物理环境中。材料所具有的特殊属性成为问题的解决者更多于构造中的智能变量。

我们的项目建议一个新的界面来嫁接手法与技术,设计与应用,最重要的是虚拟与现实之间的缺口。一个整体色彩控制模型建立了三维的数据基础。这可以使得整合不同的参数来突破常规信息之间关联的单一性。

颜色作为输入/输出的显示,成为一种分析工具,可以重新定义RGB如同一个计算机将颜色开发为一个创造者。简单的操作步骤被颜色的关联所合并在一起,从而创造出新的条件在没有丢失信息的情况下。简而言之,颜色和红色可以产生紫色。我们建立一套材料的工具箱包括很多非常好的属性,如塑料潜在的造型性,织物的拉升阻力性,纤维的自由性,以及混凝土的结构性 —— 给使用者以一套由不间断的传输感应循环通过红外线摄像头,激光测量,传导的纺线以及压力感应器来控制。因此,在结果上,我们突破了应用性被材料和建筑功能形成物体的局限。

材料智能被重新定义为一种设计工具在一个欢快的环境之中——显示合并在颜色控制系统“生化色彩”之中。

6/20/2011

BLUA attend Art Meets Fashion/Guns in Disguise Art Event

BLUA has been invited to attend Art Meets Fashion/Guns in Disguise Art Event,hosts by Cement Studio

3/07/2011

Master design planning of WULI district cooperate with GN INTERNATIONAL DESIGN LLC, Xicheng Shanghai office




Building Type:CBD,residential,government,mixed-use
Office: BLUA
Project Partner: GN INTERNATIONAL DESIGN LLC, Xicheng Shanghai office
All pictures Copyright © 2011 BLUA

3/06/2011

Color is One/Resident Chroma II featured on the Architectural Society of Oslo’s “Pop-UP” evening lecture series


Color is One/Resident Chroma II featured in Michael Speaks Lecture "Prototyping the future of design research", the Architectural Society of Oslo’s “Pop-UP” evening lecture series

11/04/2010

Prototypes I-III: Tracery Glass, Thermo-Strut, Lizard Panel

http://www.emergentarchitecture.com/projects.php?id=28
These three prototypes are a family. They are combinatorial in nature, fusions of diverse systems and services which generate emergent architectural behaviors and features. They are part of recent research in the office concerned with unpacking the spatial and ornamental potentials of airflow, fluid flow, and glow, often considered to be ‘minor’ forces in architecture. Based on chunk logic rather than layer logic, these prototypes are intended to manufactured and delivered as fully integrated three-dimensional assemblies embedded with all internal infrastructural systems. They are to be constructed of formed fiber composite and polycarbonate materials assembled with socket connections and structural adhesive, as well as more common materials such as plate steel and acrylic pipe. They feature integrated thermal solar systems, PV systems, algae photo-bioreactor coils, radiant cooling systems, and grey water capture systems.

PROTOTYPE I: Tracery Glass Tracery Glass reconsiders glass and transparency in architecture. In contrast to modern dreams of dematerializing glass and framing perfect views, this glass is not only not glass (it’s polycarbonate), it is highly characterized by embedded technology which is simultaneously operative and ornamental. It allows views, but through layers of light, cooling coils and fins, solar surfaces, and gradient color patterns. Ultimately, this is an exploration the contemporary relevancy of stained glass and other types of figural transparency from centuries past, and possible crossovers with contemporary energy technologies.




PROTOTYPE II: Thermo-Strut This prototype intertwines low-res steel plate beams with a fiber composite shell embedded with solar thermal technology. The solar thermal system is a continuous loop which weaves around through the steel sections, forcing structural adaptations at intersections. In armature conditions, the solar thermal system receives sun exposure through transparent apertures, while in surface conditions, it changes behavior and spreads out as patterns of relief. The result is a prototype which organizes structural forces, fluid flows, and material properties into a tectonically coherent, yet ornamental assembly. This prototype is intended to take ‘surface-to-strand’ geometries to the next level, where disciplinary forces temper abstract formal sensibilities.




PROTOTYPE III: Lizard Panel Lizard Panel is a unitized system with puzzle-piece components and socketed structural and mechanical members for continuity. It is characterized by a lacy, meandering pattern of algae bioreactor pipes for energy generation as well as deep channels which reclaim grey water from rainfall for use inside the building. This prototype is the most overtly biomimetic: it capitalizes on characteristics of the Agamid Lizard, which siphons moisture from its back to its mouth via deep channels in its skin. Algae and grey water systems are not simply adjacent, but rather interwoven in such a way that structural behavior arises-- grey water channels become the bottom ‘flange’ to the upper ‘flange’ of the algae channels, while interstitial webbing connects the two into a hybrid beam morphology.

Prototypes I-III: Tracery Glass, Thermo-Strut, Lizard Panel
Prototype, 2009
Building Type:Building systems hybrid
Office: EMERGENT
Principal: Tom Wiscombe
Project Team: David Stamatis, Bin Lu, Chris Eskew, Ryan Macyauski, Cody Derra, Katsuya Arai, Eugene Park
All pictures Copyright © 2009 EMERGENT

11/03/2010

GARAK FISH MARKET



The Garak Fish Market is the largest wholesale market in Korea. It covers 54 hectares or 540,000 square meters of land and is one kilometer long. This project, undertaken with Chang-jo Architects, was an invited competition intended to explore the future of the development of the market and in particular, how it could become more integrated with the city and the surrounding neighborhoods. Of particular concern was the visual chaos and smell associated with the market, and whether or not some type of enclosure was warranted.

Our point of departure was to split the site into two zones, one ‘natural’ and one ‘urban’. The West area, adjacent to the Tan Stream, is to be developed into wetland preserve and leisure area. The displaced market program is stacked onto the Eastern side of the market creating a hyper-dense, two-level organization. The intention is to urbanize the market by stemming its organic sprawl and creating sectional properties.

The design is characterized by a large roof which operates as a semi-enclosure, and interior space, and a community garden landscape on top. The structure of the roof begins as a regimented grid-like pattern to the East due to the strict column pattern required by the market functions, and it dissolves into a series of loose spiraling patterns as it nears the wetlands. The roof features double-pleats which are both structural and programmatic, forming embedded figural hollows. These hollows house restaurants and commercial activities, and feature views over the buzzing market below.

The roof gardens are a gift back to the local community of 55,000 residents around the site. They are broken down into a network of variously-sized plots driven by the structural patterning of the roof. Exotic color gradients of flower and vegetable fields will be planted, over time forming a kind of organic/synthetic jungle architecture.
http://www.emergentarchitecture.com/projects.php?id=25

GARAK FISH MARKET
Seoul, Korea, 2009
Building Type: Wholesale fish and vegetable market
Office: EMERGENT
Principal: Tom Wiscombe
Project Team: Chris Eskew, Bin Lu, Ryan Macyauski, Cody Derra
All pictures Copyright © 2009 EMERGENT